I guess my conversation with Mummy yesterday must have worked, in a fashion.
She sent me an Owl this morning. You can imagine that it wasn't kindly worded, but the gist was that if I am not clever enough to design my own curses, she will give me a place to start (this way if I succeed she will still feel as if she's won, see).
What she told me is that Black's Curse has three incantation words and three distinct wand movements. The last of the three words, and the last of the three movements, are variable - probably this is how the curse is adjusted for on-set and duration.
She also provided me with one of the incantation words, and one of the movements.
The incantation is morior.
The movement is sharp upper thrust from the inside low-line, wrist pronated, wand point higher than the hand.
I'm telling you lot because as far as I know you have the best knowledge of the Dark Arts. Hermione, I know you might not have much to do with the Dark Arts, but you're very clever so including you seemed clever, too.
I don't need to tell you that this spell is incredibly dark and dangerous. We'll all need to be careful. Moreso than usual, even.
She sent me an Owl this morning. You can imagine that it wasn't kindly worded, but the gist was that if I am not clever enough to design my own curses, she will give me a place to start (this way if I succeed she will still feel as if she's won, see).
What she told me is that Black's Curse has three incantation words and three distinct wand movements. The last of the three words, and the last of the three movements, are variable - probably this is how the curse is adjusted for on-set and duration.
She also provided me with one of the incantation words, and one of the movements.
The incantation is morior.
The movement is sharp upper thrust from the inside low-line, wrist pronated, wand point higher than the hand.
I'm telling you lot because as far as I know you have the best knowledge of the Dark Arts. Hermione, I know you might not have much to do with the Dark Arts, but you're very clever so including you seemed clever, too.
I don't need to tell you that this spell is incredibly dark and dangerous. We'll all need to be careful. Moreso than usual, even.
no subject
2015-02-21 01:25 (UTC)There are a number of spells with a similar upward thrust, though. 'Point me' comes to mind, and Protego, but neither of them seem in the same class as this, nor do they have to originate so low on the body.
Did she say whether morior is the first or the second word? I think it almost has to be the second but there might be reasons for it to be the first.
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2015-02-21 02:10 (UTC)no subject
2015-02-21 02:37 (UTC)I wonder if the second wand movement involves the temporal binding, and the third then modifies it.
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2015-02-21 02:39 (UTC)Yes, I think it must be. Which means the next motion is likely a downsweep of some sort, what. Not that that narrows things down much. Right or left? Across the body or to the outside?
The effect includes exsanguination, doesn't it? I wonder if it's in any way similar to the spells profiled in al-Muquarrah's Studies in Visceral Power. Grimmauld's library might well have a copy in translation, what; I've heard Professor Dolohov mutter more than once that he regrets losing access to the books you've got there.
-Justin
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2015-02-21 02:42 (UTC)She also modified the curse not long back so that it would work on metamorophigi, animagi, etc. So that's another aspect to consider.
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2015-02-21 03:09 (UTC)Tried to pull it down, but I came over ill. Do you know what kind of handling it requires? Dragonhide gloves or other protection. Or, might it be one of those books that can only be read during daylight hours?
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2015-02-21 03:14 (UTC)I'm not certain about whether it's only safe to read during the day. Professor Dolohov's only given me sections and secondary works on the volume, not the actual book.
One measure I have gleaned from those, what, is to read it in very small increments. I should say not more than a few pages at a stretch.
I'm jolly well certain it shan't react well to trying to use magic on it, either.
-Justin
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2015-02-21 03:21 (UTC)no subject
2015-02-21 06:30 (UTC)no subject
2015-02-21 06:34 (UTC)no subject
2015-02-21 17:13 (UTC)Are you meeting your taskmaster today? If not, we could use the salle and work on possible combinations using the first clues.
-Justin
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2015-02-21 17:40 (UTC)Anyway -- Professor Dolohov has a copy of 'The Destructive Principle,' of course -- two, actually, one in Persian and one in English. (Actually, I think he also has a copy that was translated into some other language. I can't remember which.) But, if Hydra wants to look at it, she'll have to ask him herself, because the proper owner has to do a rite just to lend it out, and if the borrower passes it along to anyone else it could kill the next reader, or at least hurt them really badly. So, having Justin borrow it and pass it along definitely would not work.
And of course this might not even be relevant. But a book of Dark spells and scholarship by a whole load of people who wanted to study Dark Arts just for the sake of coming up with the evillest stuff possible is at least the sort of thing Bellatrix would've wanted a look at at some point.
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2015-02-21 18:49 (UTC)no subject
2015-02-21 20:38 (UTC)no subject
2015-02-21 20:42 (UTC)-J
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2015-02-22 07:42 (UTC)Does she think much of indigenous magic?
The wand movements on both of those have got an element that loops around, to throw the curse so it swirls around and enters all ways at once. There was a drawing of the motion, I remember, and it's based on knotwork, the swirl pattern. Anywiz, the thing is, if that's the sort of motion for the other element of her curse, that could be first element and the upward slash could come second to give it force, y'know? Or it could be the other way round with the slash first followed by the rounding manoeuvre, but the other way felt more natural to me. (Which means nothing because what feels natural to me is probably not the same for her. And, also, 'natural' isn't the point.)
Yeah. That's all I've got so far.